须田一政（1940年-2019年3月7日），1962年毕业于东京摄影专科学院。1971年开始自由摄影师生涯。1976年凭借摄影集《风姿花传》获得日本摄影协会新人奖。1985年摄影展《日常的断片》获得第一届东川奖。1997年摄影集《人间的记忆》获得第16届土门拳奖。另有摄影集《关东风谭》和《民谣山河》等。

须田一政（1940年-2019年3月7日），1962年毕业于东京摄影专科学院。1971年开始自由摄影师生涯。1976年凭借摄影集《风姿花传》获得日本摄影协会新人奖。1985年摄影展《日常的断片》获得第一届东川奖。1997年摄影集《人间的记忆》获得第16届土门拳奖。另有摄影集《关东风谭》和《民谣山河》等。

Ando's complete works to date Philippe Starck describes him as a "mystic in a country which is no longer mystic." Philip Drew calls his buildings "land art" that "struggle to emerge from the earth." He is the only architect to have won the discipline's four most prestigious prizes: the Pritzker, Carlsberg, Praemium Imperiale, and Kyoto Prize. His name is Tadao Ando, and he is o...(展开全部)

The Tadao touch: Ando’s complete works to date 1975-2014 Philippe Starck describes him as a “mystic in a country which is no longer mystic.” Philip Drew calls his buildings “land art” as they “struggle to emerge from the earth.” He is the only architect to have won the discipline’s four most prestigious prizes: the Pritzker, Carlsberg, Praemium Imperiale, and Kyoto Prize. This...(展开全部)

“He is a religious writer; he is a comic realist; he knows what everything feels like, how everything works. He is putting together a body of work which in substantial intelligent creation will eventually be seen as second to none in our time.” —William H. Pritchard, The Hudson Review, reviewing Museums and Women (1972) A harvest and not a winnowing, The Early Stories prese...(展开全部)

Winner of the PEN/Faulkner Award for Fiction A harvest and not a winnowing, this volume collects 103 stories, almost all of the short fiction that John Updike wrote between 1953 and 1975. “How rarely it can be said of any of our great American writers that they have been equally gifted in both long and short forms,” reads the citation composed for John Updike upon his win...(展开全部)

Gathering together almost all the short fiction that John Updike published between 1953 and 1975, this collection opens with Updike's autobiographical stories about a young boy growing up during the Depression in a small Pennsylvania town. There follows tales of life away from home, student days, early marriage and young families, and finally Updike's experimental stories on Th...(展开全部)

Cindy Sherman’s photographs are almost immediately recognizable. Using herself as the model, she assumes numerous disguises to portray "characters" both fictional and famous, or to reinvent situations both commonplace and extraordinary. The consistency of her form and her adoption of familiar images and icons has earned her work a reputation for accessibility. But Sherman&...(展开全部)

阿學有個不成材的父親。 明明才要升上國一，卻已經因為跟著父親跑路，而不知道轉學幾次了。這次，父親帶著阿學，以及「這次生意一定成功」的信念和幾箱產品，來到了廣島。抵達廣島的第一天，阿學就因為戴著東京讀賣巨人隊的帽子，被當地少年小康叫住問話，阿學這才知道，大家對於廣島東洋鯉魚隊的支持與熱情，遠遠超乎想像。 入學後，阿學和小康成為好友，他從小康和同學身上慢慢了解到這片土地上的人們，以及那難以忘卻、抹除的過往。即使距離原爆已三十年，班上同學的家人們依舊仍受後遺症所苦，小康的父親同樣也是因此身故。 某日，正當阿學發現自己已經悄悄融入廣島，隨著鯉魚隊的獲勝而雀躍不已時，父親參與的「了不起的新事業」卻被政府盯上，更糟糕的是，就連辛苦持家的小康母親，也成了「新事業」的受害者…… 那年，我們期待積弱不振的廣島東洋鯉魚隊奪冠， 事實上，我們真正期待的，是廣島經歷過重重苦...(展开全部)